Flipping holidays can't come soon enough! Holiday time means writing time (and friend time, but that's not what this post is about...).
Having one of those moments where the story idea in my brain is positively bursting with AWESOME and I just want to write it. As you've probably heard I'm revisiting my superpowers story, and revamping the characters that have been with me since 2008. It still shocks me that they've been around that long. Finally, I think I've figured out what their story is supposed to be. And who doesn't belong in the story. Many a character has been scrapped. Also many have died. But that's a different novel, to be written one day when I'm famous and my readers are begging for the backstory....
Totally pumped for the epicness that will be this book! I'm using NaNoWriMo to bust out 50k for it, which is kind of cheating since I've already started the story, but seeing as NaNoWriMo is made for personal gain, I guess I can use it for the best benefits possible. Right? Heh. We're all NaNo rebels sometime or other (or every time if you're me...).
I was talking to Keira yesterday about the authory things that I wish I could do but don't yet have the skill. Number One is better foreshadowing. I wish I could master foreshadowing for a huge series like Harry Potter. JK Rowling is a genius. Don't believe me? Go read The Prisoner of Azkaban again.
The second thing is pushing my characters one step further in the way of er ... torture. I don't know how else to put it. Basically, when you write a story your character has to get past many bad obstacles, and each time they escalate, pushing the character to their limits. I can never seem to get my characters to the step that breaks them, or nearly breaks them, depending on your character. A perfect example of this is Amy in The Doctor's Wife. While she and Rory are lost inside the TARDIS (I still don't know if I'm supposed to capitalise all the letters or not!), Rory gets shut behind and door and Amy finds him only seconds later, or so she thinks. Turns out for him it's been hours. That's step one. Step two is when she's tricked into thinking Rory has waited his whole lifetime for her, and to her horror she finds an old Rory still sitting behind the door. Now, if I had written this episode, that's as far as I would have taken it. The genius bit comes in step three, the moment that breaks Amy. The moment that pushes her over the edge, and gives us a real insight to her character, and makes us care. Because we knew that the old Rory was just a fake one put there by the badguy, so now that the scene is over we don't care anymore. The writers need to scare us. To make us feel what Amy feels. So when Amy next turns the corner she sees DIE AMY DIE graffitied all over the walls and the dead skeleton of her husband Rory, and she just breaks down. Now don't lie, your stomach twisted when you watched that didn't it? You felt it that time. Now the writers have got you to care. And when the real Rory comes around the corner, perfectly fine, confirming that what Amy saw was just a hallucination, the relief that you feel is the WIN for the writer. Yeah that's right, they've got you to love their characters. And THAT is what I want to master. Not everyone realises how important step three is in pushing your character to the limits. It's the final hurdle. Right when you think everything is going okay, something ten times worse gets in the way and you groan at the TV or shake your book in frustration because you just want the character to get through and be all right! You care now. I want to make my readers care like that.
Anyways, the post just sort of became a rant and ended up twice as long as I thought it would. So I'm going to go now. Off to continue this stupid plastering. Have a lovely Sunday!
P.S Had a ridiculously long conversation with Keira last night about names. We came to the realisation that Karen Gillan is a really, really terrible name (especially when you add that her middle name is Sheila! What is wrong with her parents?) and that Amelia Pond is a beautiful, wonderful, roll-off-the-tongue name. I love writers and how much thought they put in to names. :)
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