Showing posts with label good-looking guys. Show all posts
Showing posts with label good-looking guys. Show all posts

March 22, 2012

"It's a television show!"

Disclaimer: Spoiler alert. But if you've read the book, there's not too much to worry about, I guess. 

Howdy, folks. Previously I blogged about the incredible trailer that was The Hunger Games. For those of you who remember that blog post, it was me gushing about how brilliant the trailer was, even though I didn't much care for the book. Admittedly, my opinion on The Hunger Games series has altered somewhat. On reading the first book a second time I found more to appreciate about it. I still don't love everything about it, but it's become one of my more favorable YA novels of recent years.

So, the movie. The amazing EMPIRE gave me free tickets to a preview screening of the film after I entered their little 25-words-or-less competition. Yay me! Thanks EMPIRE. You're awesome.

Justin and I rocked up at Event Cinemas last night and stood in line excitedly with a rather mixed-bag of other ticket-winners. Unlike the crowd for the sneak peak of The Amazing Spiderman that I was also in, this sprawling line outside the theatre was filled with your average two-best-friends and girls-who-give-free-tickets-to-boyfriends, I was surprised to also find myself standing between old-people-who-probably-don't-know-what-they're-about-to-watch-like-how-did-you-even-find-empire's-website, and woman-who-brought-her-completely-ignorant-work-colleague-along. Interesting.

Anyway! Sorry, I like to ramble. Let's get on with the show.

As also stated in my previous THG-related blog post, I couldn't help but wonder if perhaps the movie could be better than the book. In some visual ways, yes, I'll say it was. The film enabled us to see things only briefly mentioned and left to our imaginations in the books, so that was a plus. What director Gary Ross left out, visually, was a major disappointment.

I'll start with the beginning shots. Thankfully, this is where I was most disappointed with the movie, so this review (sort of) (somewhat) goes up from here. We're first introduced to District 12. I would describe what we saw here, but heck, I don't even know how to describe what I saw. Gary Ross, you really wasted this part of the movie.

Being a cinematography lover (DoP is my dream job, don'tcha know), I was admittedly shocked at Ross' choice of camera technique for conveying District 12. He chose to show us parts of this impoverished town in close-up shaky-hand-held shots. Like, ridiculously shaky. Like OMG-we-forgot-the-tripod-but-I-had-so-much-coffee-this-morning-who-even-cares! kind of shaky. Stop moving the camera around, guys, I can't see a thing. So yeah, I don't really I know what I was looking at. I think District 12 is a place full of boring poor people who play in the dirt? It's a good thing I read the book, then. To quote Stephanie Zacharek for Movieline, who I totally agree with: "You wonder, particularly in the District 12 scenes, why [Ross] didn't just screw the camera into the damned tripod: the stillness would have been classical and elegant and better suited to the emotional tone and texture of this part of the story". You said it, Stephanie. I don't know what he was thinking.

The camera also rushes through The Reaping, when all the kids file in to get their names drawn out of a glass bowl, two of them to be taken away to compete in The Games. By this point I understood some of his reasoning behind the shaky camera - the moments when Jennifer Lawrence's Katniss is trying to keep her composure while looking for her panicky little sister made perfect sense - but as for the rest of the movement in these early scenes, I was at a loss for why the camera was trying to force a urgency into my mindset. I was expecting an eerie stillness, like the stony faces of the children waiting, a subtle sign of their rebellion. So yes, I was disappointed that the camera was telling me what to perceive. In my personal opinion, I like the camera's framework to be invisible wherever possible, and I didn't consider these scenes to be an exception.

So, moving on. After Katniss takes her sister's place in an emotional farewell (yes, I cried a bit, okay?), we are swept with her and Peeta (Josh Hutcherson) into another world, one full of color and weird people and stuff. I liked the portrayal of The Capitol, probably because I found that part the hardest to picture when reading the book, but I still felt there was something missing. If you've seen any of the promotional posters for the film, particularly the ones of Elizabeth Banks' Effie Trinket advertising makeup products or something, those alone gave more insight into The Capitol's materialistic mindset, and I felt that any real "heart" of any people in the movie, save Katniss and Peeta, was missing.

That being said, when all the tributes are presented on their chariots to thrill the obsessed audience ... well, that was pretty epic. Good soundtrack. CGI was a touch lame, but whatever.

I enjoyed some of the scenes in the arena better on screen than I did on page, like the tracker-jackers and the wall of fire. Action scenes like that don't always sounds as good on paper, so I was glad to get a visual (so having said that, I'll politely ignore the lack of variety in the actual scenery. I swear Katniss passed that same tree and mossy rock twenty times).

All righty, that's about all I have to say on the visuals. Let's get down to the nitty gritty - the acting.

Personal favorite is Stanley Tucci's Caesar Flickerman, the host of The Hunger Games' television show, and the commentator overseeing the action in the arena. I'm a huge fan of Stanley, and was thrilled to see his name on the cast list when the film was first announced. He really was perfect in this role and I was glad to see he got plenty of screen time. Sadly, for other greats like Woody Harrelson (playing Peeta and Katniss' mentor Haymitch), the script diminished his role to a lot of sitting and standing in the background.

Lenny Kravitz as Cinna also seemed pretty good, but again he didn't have much to do on screen. Hopefully we'll see a little more of him in the second film...

Something the filmmakers did do well was the casting of the other tributes, particularly the Careers of districts 1 and 2. Although a lot of their screen time was nothing more than looking tough and sneering behind Katniss' back, they did it well. Definitely all cast for the smug looks they could pull off, but that is of course, exactly what we wanted from them. One of the better (brief) action scenes is the girl-fight between Katniss and Clove, the girl from District 2, which ends with the massive hulking dude from District 11 smashing Clove's head into the cornucopia and knocking her dead. Sweet. Also freaky. But good action nonetheless.

Josh Hutcherson delivers as Peeta, especially during his early scenes before the Games. I loved how much drive there was behind his character. Favorite Peeta moment was probably him waving to the Capitol citizens as the train arrives in the city, and Haymitch says "See, he knows what he's doing."

As for the impossibly young tribute Rue (Amandla Stenberg)... she was far too out of place in the arena. Now, I know that sounds weird when I say it, because she's only twelve and is supposed to be out of place, but the problem lies in the visual representation of her character. She's too clean, too casual, looks too much like she's supposed to be on the Disney Channel or some adventure movie for eight-year-olds. There was no wide-eyed vulnerability, no desperation, no sense of a girl forced to grow up too fast, just a girl.

It's Jennifer Lawrence that manages to carry Rue's character into the emotionally-invested zone. Katniss' reaction to Rue's death is perfect. She looks at her in the same way she does her young sister Prim (Willow Shields). The set up of this scene is perfect because you're purposefully reminded of Prim, and when Katniss whispers "I'm sorry" with as much emotion as you can squeeze into two words, I was tearing up. Then she garnishes Rue's body with flowers, and the scene is intercut with shots of District 11 swelling into an angry mob. If you're not crying by the time Katniss is crying, well ... either you're a hard-hearted blockhead or I'm a marshmallow. I know, I know, give me a good actor crying on screen and I'm an emotional wreck!

The point is, I knew this movie was going to be good as soon as I heard Jennifer Lawrence was playing Katniss (if you haven't seen her in Winter's Bone, what are you waiting for??), and she carries this film to make it a winner. She's just so watchable. She takes in everything around her and makes herself part of the set, part of the story. The bit where she wins me over (theoretically, that is - she'd won me over before she even started shooting) is her interview with Caesar Flickerman.
In the scene Katniss is wearing a dress with a hem that bursts into flame when she spins around, designed by her stylist Cinna. After she shows it off for the audience, she finally relaxes and we get her first ever genuine smile of the movie. What's great about Lawrence is that she's a totally different person when she's smiling. She has the ability to mask her emotions (something any great actor should be able to do), so when Katniss finally puts her shields down and lets the Capitol audience in, the real audience watching the movie is also drawn in to the character. Caesar Flickerman ends the interview by asking Katniss what she said to her sister after she volunteered to take her place. 'I told her I would try to win for her', says Katniss, and just as it's intended to be, that's the moment where we see the real Katniss Everdeen. If it weren't for Jennifer Lawrence's strong performance, this film would probably have nothing going for it but Stanley Tucci wearing a blue wig and laughing for some unexplainable reason.

March 3, 2012

Ten Movies in Ten Words

Two posts in two days, this is a record I haven't reached in a while! I have for you a list of my current Top Ten Must-See Films. Subject to change as I see more movies, of course.

This is a very subjective list, and is not influenced by what other people consider the "best" films of all time. It's more like, if someone were to ask me "what is film?" or "what are movies all about?" this is list I would give them. Right now, anyway. Ask me again in a few months' time when I've seen more movies and it'll probably be different. It was a HUGE struggle just to get it down to ten. I had another 5 or 6 that were vying for spots but missed out. 

I've called this post "Ten Movies in Ten Words" because ten words is short and sweet and cuts to the point (so screw sentence structure!). And this way you don't have to read big long opinionated paragraphs that will skew your own opinion. We don't want to start any arguments, here. 

If you're reading and you have your own blog (or even just a facebook) I encourage you to do your own "Ten Movies in Ten Words" post, because I'd love to compare. 

So without further ado, the list. In order by year. 


1. A Trip to the Moon (George Méliès, 1902)


110 years old. 14 minutes. Still brilliant, creative, and funny. 


2. Bringing Up Baby (Howard Hawks, 1938)


Ahead of its time, fast-paced, ridiculous. I laughed constantly.


3. Citizen Kane (Orson Welles, 1941)


Let's just say I watched it thrice in one week.


4. Psycho (Alfred Hitchcock, 1960)


Creepy, clever, thrilling. One of Hitchcock's finest. Perkins is unforgettable.


5. The Princess Bride (Rob Reiner, 1987)


A loveable cult classic. Inconceivably quotable. Fantasy at its finest.


6. Toy Story (John Lasseter, 1995)


You haven't seen this? You uncultured swine! It's freaking genius.


7. Moulin Rouge! (Baz Luhrmann, 2001)


It's about love! An artistic masterpiece! You'll want to sing!


8. Inglourious Basterds (Quentin Tarantino, 2009)


THE TAVERN SCENE IS SO, SO GOOD. BRILLIANTLY EXECUTED. ARGH. 


9. The Social Network (David Fincher, 2010)


Edge-of-your-seat dialogue. Incredible script, score, and acting.


The Tree of Life (Terrence Malick, 2011)


Beautiful cinematic artwork. 
Pretentious? Yes, but Lubezki's cinematography is breathtaking. 

And there you have it. Ten Films in Ten Words. Your turn!

January 21, 2012

Screencap Saturday

I've been wanting to do some kind of 'segment' on this blog, so I thought I'd start with something fairly simple. Introducing Screencap Saturday! Basically, I screencap a movie and put up sequences of my favorite stills. I find screencaps interesting because they literally do 'capture' a very purposeful moment in the movie. It makes me more attentive to the lighting, the framing, the facial expressions of the actors, the relationships between various shots, and the length of pans and dollys. Looking at various snippets from a film give you a huge insight into the director's style. I'll try and do Screencap Saturday at least once a month.

So I will begin with what is currently my all-time favorite film. Directed by David Fincher. Cinematography by Jeff Cronenweth. Editing by Kirk Baxter and Angus Wall. I give you The Social Network, in 160 frames.

















September 16, 2011

Bored girl is bored.

Enter random blog post about a random subject!

I'm literally waiting for plaster to dry (on my model for a TAFE project), so what better way to pass the time than to blog about something. I was thinking of just posting this on tumblr and making it short and snappy but hey, we all know that's just a dumb waste of time. Let's make something of this.

This post is about: My Favorite Voices on the Planet.

This blog post is brought to you by (in no particular order):


1. JJ Field

You might know his voice from movies such as Death on the Nile and Captain America. Just listen.




2. Armie Hammer 

You would have seen him twice in The Social Network. A little disappointing there's not really two of him, right? He probably has the most beautiful American accent in the world.




3. Emily Blunt

Best known for The Young Victoria and The Devil Wears Prada. A little trivia: she appeared in Death on the Nile alongside JJ Feild. I wish I sounded like this. And as I side note, I couldn't help myself and had to pick one of her interviews with Rupert Friend.




4. Alan Rickman

Obviously.




5. Emma Stone

If you are unfamiliar with films starring this girl, you need to crawl out from under your rock and watch Easy A and The Help, RIGHT NOW. I've heard some people say her voice is weird or that it's a put off, but it must be the American in me because I love it. Aaaaaand I'm so excited for this movie. SO EXCITED.



And speaking of Spiderman....

6. Andrew Garfield

Because I just love everything about him ok? And his little salute is so cute. *fangirls*



May 2, 2011

♥ Kiss Me, Kate ♥

So my darling Kristy has blogged more than once on The Royal Wedding, and thus I feel that this second post on said subject is completely justified. If you're not into all that fairytale royal marriage stuff then fear not, it is perfectly okay if you stop reading now. I don't even know who you are, non-reader of my blog.

If you are, however, still with me, please take the liberty of click HERE and looking at this before you continue. The rest will make much more sense if you do. 

So, now that you're back with me and you've looked at that lovely little gif,  there is one thing more that I must mention before I continue - I love any excuse to quote Shakespeare. Hence the title of this post. I was rather excited when I came up with it. Sorry, I'll stop interrupting myself now. On to beautiful things!

That moment in the gif there was one of my favorites of the wedding, because - and I suppose this may sound a bit funny, but it's true - it was so real. So much of what you see on TV is fake, or glammed up, but when Kate stepped out onto the balcony, she just couldn't help herself - she was genuinely wowed at the amount of people standing out there to see her. She actually said it. I love it! It makes me happy. 

Speaking of 'wow', I most definitely wowed over this.

Oh my. Isn't she stunning? If I can't get married in something like her wedding dress, then this will do. This will do just fine. Gosh, I'm just absolutely in love. And I never fall head over heels for a dress. Sarah Burton, you are amazing. It's just unfair that one girl gets two delicious dresses on her wedding day - I mean, you do only get to wear them once. Such a waste. If I were Kate I'd would definitely dance around Buckingham Palace everyday in that. Hee. 

Yes, I'll live in London and get married in that dress, and this dashing young man will be my husband (unless Kristy beats me to it - yes, I know you're still reading!). And we'll ride out of the abbey in a horse-drawn carriage, and then we'll live happily ever after and become King and Queen and fill the palace with many pretty little red-haired children.
 
Hey, I can dream, can't I? 


All right, all right. Enough wedding spam (for now, anyway). I shall leave you with this:


You have permission to say, 'aww'. 

September 25, 2009

The Young Victoria

Another review! Finally.

Just got back from seeing the film "The Young Victoria". If I had to give one word to describe it, it would be Beautiful. Because it was. Emily Blunt is stunning in every single dress, and a fabulous actress. I've always liked her and have been dying to see her play a lead role and this was perfect. I loved every minute of it. Rupert Friend as Prince Albert is wonderful and the two work amazingly together. I wanted to see the film a second time right away ... just fastforwarding to the part where Victoria and Albert marry. But really, the whole film is gorgeous. The cinematograpahy is great; there are some fabulous shots in the grounds of Buckingham palace and some neat camera tricks in the indoor shots, such as at the ball. I will definetly be on the lookout for more films by Jean-Marc Vallee in the future. My one moment of disappointment when watching the film was that they didn't show Victoria's wedding dress in a wide shot, you only really got to see the top half. A bit of a waste of such an awesome costume, if you ask me. Oh - and I want her dressing gown.

So yeah, 4.5/5 is my rating. Go see it. By far the best costume-drama I have seen in a very long time.

July 28, 2009



Guy Berryman ... Coldplay's bassist. He's gorgeous. I love him.